Peter Stroud (Sheryl Crow Band)

London Soundclips:

Peter's Soundbite 1
Fender Tele-Sonic - with D'Armond Single Coils - 12AX7 channel - Low input, volume 6, tone 10, cut - 0 (no cut)
Peter's Soundbite 2
65 Fender Strat (stock) - 12AX7 channel - Hi input, volume 8, tone 8, cut - 1 (minus)




Marquee Soundclips:

Recorded with a Gibson Les Paul Custom - Burst Bucker II (neck) & Jimmy Page signature pick-up (bridge.) Marquee Head thru a 65 212 Extension Cabinet close mic'ed with an Shure SM57 on the Celestion Blue Alnico and a RODE NT-2 on the G12H Anniversary. Recorded with very light compression using the M-Audio ProjectMix I/O Control Surface into Pro Tools M-Powered.
1. LPC/ both pick ups Marquee Volume: 4 Treble: 5 Mid: 6 Bass: 4 Cut: 2 Boost OFF
2. LPC/ bridge pick up Marquee Volume: 5 Treble: 5 Mid: 6 Bass: 4 Cut: 2 Boost OFF
3. LPC/ bridge pick up Marquee Volume: 4 Treble: 6 Mid: 7 Bass: 3 Cut: 2 Boost ON

First two of the following recorded with a 2005 Fender "Classic 50's" Telecaster loaded with Alan Hamel Alnico V pick-ups. Third soundclip - '65 Stratocaster - all stock.
1. TELE 1/ Both pick ups MARQUEE Volume: 4 Treble: 5.5 Mid: 6 Bass: 6 Cut: 2 Boost OFF
2. TELE 2/ Bridge pick up MARQUEE Volume: 4 Treble: 6 Mid: 7 Bass: 6 Cut: 2 Boost OFF
3. STRAT/ Neck and Neck/Middle MARQUEE CASCODE CHANNEL Volume: 4 Tone: 7.5 Color: 4


©2004 P. Stroud/ Fuzzy Hip Music (ASCAP)




Mark Goldenberg
(Jackson Browne's band)
Recorded flat with a Shure SM 57 into a Neve 1073 module into a Summit Audio TLA-100A tube limiter direct to Pro Tools. Reverb by Altiverb.


1. 1965 Gibson Byrdland, neck pickup into 12AX7 channel, lo input. Tremolo on, Volume 3, Tone 5 Intensity 1, Speed 1, Cut 3. Diamond Memory Lane analog delay.
2. 1966 Gibson SG Junior, into 12AX7 channel, hi input, Volume 7 Tone 4 Cut 3
3. 1966 Gibson SG Junior, into 12AX7 channel, lo input Volume 7 Tone 5 Cut 3.
4. 1966 Gibson SG Junior, into EF86 channel lo input Volume 2 Tone 4 Color 4 Cut 3. Diamond Memory Lane analog delay

Gary Burnette
A-List Nashville Producer and session player

These clips are straight into the board, no effects whatsoever. Completely raw.
1. Dirty Rhythm
2. Super clean rhythm sound
3. Skanky single coil rhythm sound
4. Dirty rhythm with major overtones


Greg V
Greg played his Relic Tele and a 63 Les Paul Jr through the EF86 channel. Each guitar has a clean and semi-dirty tone with the last LP Jr. clip being pretty dirty. The speakers are Scumbag Pre-Rola Celestion clones (M and H magnets each represented)..

Tele Sounds:
1. 28-SA12M75-65Amp-Tele.mp3
2. 29-SA12M75-65Amp-Tele.mp3
3. 30-SA12H75-65Amp-Tele.mp3
4. 31-SA12H75-65Amp-Tele.mp3


LP Jr. Sounds:
1. 32-SA12H75-65Amp-LPJr.mp3
2. 33-SA12H75-65Amp-LPJr.mp3
3. 34-SA12M75-65Amp-LPJr.mp3
4. 35-SA12M75-65Amp-LPJr.mp3


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